Many reviewers compare Taylor Stevens’ Vanessa Michael Munroe to Stieg Larsson’s hacker Lisbeth Salander. But I think Munroe owes some of her literary genes to one of the original cyberpunks, William Gibson.
In 2003’s Pattern Recognition, Gibson gives us cool-hunter Cayce Pollard and a head-rush culture addicted to self and fueled by anxiety. In Stevens’ first Munroe novel, The Informationist, the author presents a character who polishes her paranoia like a talisman. We find a similar theme in Larsson’s dragon tattoo trilogy, where the government Salander trusts becomes the monster of betrayal. All three vacuum information for a living.
Gibson, most famous for computer mind-meld books like Neuromancer and Mona Lisa Overdrive, uses the digital world to portray disorientation and chaos. Stevens uses water and dirt to create the claustrophobic feel of corruption and pursuit. Different characters, different settings, yet books with surprising menace from the very people assigned to protect us.
Do we recognize a pattern?