Juggling the multiple voices in our heads

In Part 1 of our interview with  Peak Season narrator Pamela Almand, she talked about how a career in flying helped her second career as a narrator take off. In Part 2 she hones in on the joys and trials of audiobook narration. Pam and I talked about her career and her company, The Captain’s Voice, via email in late October.

Who are some of your favorite authors and why?

I’ve always loved suspense and thrillers. Dave Baldacci, Harlan Coben, Vince Flynn, Grisham, Brad Thor. . . . Unfortunately, male suspense authors don’t often use female narrators unless, like in Peak Season, their protagonist is a woman. I love the opportunity to narrate strong female protagonists like CW McCoy. That is where my strengths and deeper voice can really shine, and I love books where I get to add a touch of sarcasm or sassiness to the character.

I also really enjoy non-fiction from Thomas Sowell, Bill Bryson, Charles Krauthammer and others, but don’t have a lot of time to read them. I’d love to narrate any of their books, though, and that is where a lot of documentary and e-learning work helps me. The non-fiction author has a purpose and motive for writing and my job is to capture his or her passion and enthusiasm for their subject matter. And I’d love to narrate Ann Coulter. Although I don’t always agree with her, I love the combination of dry wit, snarkiness and intelligence with which she writes.

Pam Almand recordingDo you have a favorite book or project?

That’s the toughest question yet, Jeff. I can honestly say I’ve enjoyed just about all my projects as new and interesting learning opportunities, with the possible exception of a very dry, 10-hour narration on rules and regs on the handling of toxic chemicals (but it paid very, very well, so I’m not complaining.)

Which characters are your favorites to play?

Strong female protagonists with many facets to their emotions and personalities . . . and I always enjoy doing over-the-top characters where I can play with crazy accents and dialects.

How do you prepare to perform an audio piece?

Since I love to read, and read fairly fast, many times I’ll have read a book in its entirety before I decide whether to audition for it. If not, I’ll read the book and annotate it at the same time; each character has a distinctive voice, and many times you don’t find out details about it when the character’s first introduced. Halfway through the book, there might be a note that “the slight hint of her German background was obvious when she shouted at him” or “that morning his high whiny voice just drove her nuts.”

I’ll also practice a particular voice I want to use for a character and record a sentence or two for reference and make a separate audio file for each character who doesn’t appear regularly.

Then I jump into the studio and start telling the story, to myself more than the listener.

When you’re narrating a work with multiple characters, how do differentiate among them?

I mark them with individual highlight colors and notations on characteristics I need to know and I kinda try to feel out each major character in different emotions in the voice I’ve chosen for them, if that makes any sense.

And I don’t try to sound just like a man but only to suggest the difference through a bit of gravel perhaps, a flatter delivery, maybe a more resonant delivery. One of the best things I heard from Pat Fraley in a coaching session was that men don’t all have low voices, women don’t all have high voices. Duh. It seems obvious but it’s a common misinterpretation. Pat is a great coach for the sheer number of distinct sounds he can produce from that smiling mouth of his.

What new and exciting projects do you have coming up?

The release of Peak Season in audiobook is the most exciting right now. Lots of marketing and promo for that and a couple of other audiobooks. And I have a documentary piece coming up for a Christian non-profit on sex trafficking as well as a United Nations video directed by a wonderful client in Barcelona. And then the usual smattering of other work that comes up in a normal week.

And, of course, I’m eagerly awaiting CW McCoy’s newest adventures. I love this woman and love getting to live her life vicariously narrating your novels.

The secret life of writers

For many authors, the secret to the thriller is a secret.

In Karin Slaughter’s novel Fractured, Will Trent tells no one except two confidants about his dyslexia. The special agent for the Georgia Bureau of Investigation strives to prevent people from using his disability to compromise his career. He suffers. The writing doesn’t.

In Harlen Coben’s The Woods, prosecutor Paul Copeland tries to keep secret his connection to the crime he’s compelled to investigate. As with Trent, backstory becomes backlash. His adversaries use that secret as a weapon. Coben treats it as an accelerant.

Both authors use that creative tension to drive their characters, and their stories.

How far would you go to hid something from your past?

Plumbing the list of world’s richest characters

Business magazines have this running battle to list the world’s richest people. As if that wasn’t enough, in April Forbes listed the richest fictional characters.

Topping the list is Carlisle Cullen, patriarch of the Cullen coven of vampires in the Twilight series of novels. As the magazine put it, “Cullen, age 370, has accumulated a fortune of $34.1 billion — much of it from long-term investments made with the aid of his adopted daughter Alice, who picks stocks based on her ability to see into the future.” If only we could do that, we could write for Barron’s. Also on the short list: Thurston Howell III (the character played by Jim Backus on the CBS television comedy “Gilligan’s Island”) and Scrooge McDuck (Uncle Scrooge to his nephews Huey, Dewey and Louie).

MarioTo commemorate the release of “Iron Man 2,” Ranker devised a list of the richest comic book heroes and wealthiest villains of all time. Its top five? A surprising group that includes Black Panther, Namor the Sub-Mariner, Adrien Veidt (Ozymandias), Batman and Lex Luthor.

Now comes word from Forbes of the five highest-earning videogame characters, and topping the list is none other than Mario, Nintendo’s plumber who has leaped ahead of the pack since his debut in the 1981 arcade game Donkey Kong. Also on the list: Pikachu, the voice of John Madden, Sonic the Hedgehog and Link from the “Legend of Zelda.”

As Mario would say, “Yahoo!”