Trial by Fire

In her fifth outing (after Permanent Vacation), former detective-turned-real-estate-agent CW McCoy rushes headlong into her most troubling case, one that will change her life forever. With Burning Man, she faces the greatest challenge of all—coming to terms with a past that continues to blaze.

Here’s the opening chapter:

I WOKE TO the smell of danger. It seeped through the floorboards and pushed under the door and crawled into my bed. It stung my eyes and clogged my nose and tasted sour as an old penny. There was another smell, too, like the time Mommy turned on the stove and forgot to light it and my brother made a joke about the house blowing up.

It was four days before Christmas, a Saturday and the start of our holiday vacation, mine from kindergarten, Colton’s from second grade, although it didn’t feel like Christmas, because there was no snow. Daddy had just put up the lights, too many, Mommy said. He’d stood on a ladder and hung them over the windows while Mommy stood on the sidewalk below, her arms crossed, telling him not to burn down the house.

This smell felt wrong. Like the time Daddy lit a fire and forgot to open the flap in the chimney, and the smoke tumbled out in swirling stripes, as if it were trying to escape. The smell was dry as the newspapers he pushed beneath the twigs, the logs making a high, hissing sound as if they were hurt by the flames.

My parents had gone to a party. They should have been back. They should have come in to check.

The light that came through the curtains made a square on the wooden floor. Beneath the door, the smoke went in and out as if something in the hall was breathing, alive, coming after me. A lizard with a flame for a tongue or the lady with her hair full of snakes. Or burglars. Daddy was always talking about burglars. Colt would say it was a dragon, breathing fire and smoke as it hunted for little children to cook and eat, but then he liked to scare me.

The smoke stung my eyes and hurt my head. I couldn’t swallow. But I had to warn everyone. And I had to see what was in the hall.

Sliding from bed, knocking over the lamp and a gold cup with curly handles that said I could count to twenty, I crept toward the door. The floor felt warm. I reached for the knob. It turned, but the door wouldn’t open. I rattled and pulled and yanked as hard as I could, but the door wouldn’t budge. I banged on it and yelled for Colt, whose bedroom was across from mine, but no one answered. I put my ear to the keyhole, but I couldn’t hear the voices I’d heard earlier, just before I’d fallen asleep. Angry voices.

Smoke curled over my feet and crept up my pajamas. Like a dusty hand, it pushed me toward the bed. Tripping over the lamp, I crawled under the quilt Nana had made for me, the one with a picture of Snoopy on his doghouse, and stared at the door, daring the monster in the hall to break it down. Its gray breath grew dark, rolling up the wall and across the ceiling. It warmed the air and stuffed my nose and made my tongue stick to the top of my mouth.

From the street below, I heard a siren and the honk honk of horns.

The smoke changed from gray to yellow-brown. It rose through the cracks in the floor and reached over the bed. My chest felt as if someone had me in a bear hug, but I would not go with the smoke. I would climb out the window and come back through the front door and run up the stairs to wake Colton. And together we would save our parents.

Pulling the quilt over my shoulders, I stumbled to the window and tried to lift it, but the window was stuck. I pounded the latch with my hands, but the latch wouldn’t budge.

The sirens got louder, and then they stopped. Red lights flashed across the window. From the street, I heard honking and shouting and the rattle of something as it scraped against the house. Then a dark shape holding a long stick appeared in the window and ducked out of sight, so I wouldn’t know what it was doing. It raised the stick and used it to smash the window and ran it around the edge, the glass flying into the curtains and bouncing across the floor. The shape had a big head that stuck out in the back and a mask like divers wore in the ocean. That’s where its breath came from, the smoke, how it blew it under the door into my room. And because the door was locked, it had climbed up the side of the house. It put a foot on the window and another on the floor and, setting the stick against the wall, stuck out its big black hands and moved toward me.

My ears stung. My heart hurt. My mouth felt as dry as paper. Falling back into the quilt, I cried for help, but nothing came out.

The dark shape wore a raincoat and gloves and had a hump on its back. As it got closer, I saw that it wasn’t a monster but a man, a fireman. He was saying something from inside his mask, but I couldn’t hear. He stomped across the floor and, like the smoke, reached for me. I got scared. I couldn’t leave before I found Colton and Mom and Dad. As I backed against the bed, my hand landed on the cup. I couldn’t stop whatever was still in the hall, Colt would have to do that, but I could stop the man. Raising the cup over my head, I rose to my knees and swung as hard as I could.

But the man was too fast. Wrapping me in the quilt, he threw me over his shoulder and lifted me through the window. I couldn’t breathe and began pounding on his hump. Opening my eyes, I looked down a ladder at firetrucks and flashing lights and people dragging big fans through our front door. The ladder bounced. I felt dizzy. The lights hurt my eyes. The man’s foot slipped.

Just when I thought he would drop me, my cellphone rang.

Burning Man is available through bookstores and online at Amazon, Apple Books, Barnes & Noble, Kobo and Smashwords. You can find all of the books in the Candace McCoy series, plus other works of fiction and nonfiction, at my author page on Amazon.

An unhappy family like no other

Did CW McCoy’s father kill her mother and brother and nearly take her life? The question has haunted the former detective for nearly thirty years. When friend and mentor Walter Bishop discovers that police have arrested a suspect, CW reluctantly revisits her roots to uncover the hard truth about her family—no matter the cost.

Confronted by hostile sources and a city ravaged by a string of arsons, CW questions everything she’s come to believe about that night. Did her father commit the crime, or was he framed? Did he disappear, or was he murdered? And what about her own history with conflict? Does the family’s violent streak run in her veins, too?

In her fifth outing (after Permanent Vacation), CW rushes headlong into her most troubling case, one that will change her life forever. With Burning Man, she faces the greatest challenge of all—coming to terms with a past that continues to blaze.

Burning Man is available through bookstores and online at Amazon, Apple Books, Barnes & Noble, Kobo and Smashwords.

Thinking Out Loud

I met Anna Quindlen at a video store in Snydersville, PA. We were feeding cassettes into the drop-off box. It was after hours and getting dark. I think I startled her. She used to live in New Jersey and was living in Cherry Valley, not far from my home, near Stroudsburg. Maybe she still lives there.

I worked for the local newspaper. She worked for the New York Times. I’d written a corporate history. She’d won the Pulitzer Prize. Now she writes novels with an eye a detective would envy.

millers-valley-coverMiller’s Valley is her latest book. At times the novel sounds like the saga of the Tocks Island Dam. At times it sounds universal, as if the flooding and evictions take place everywhere, all the time.

In a passage near the center of the book, the narrator, a high-school student named Mimi Miller, is talking to her brother Tommy, who’s just back from Vietnam.

“I didn’t know exactly what Tommy did with himself all day, but he was still in basic-training condition. All the other guys at the VFW had big bellies sloping over their belts. ‘Baby likes beer’ they would say, rubbing their midsections like a genie would show up and they would get three wishes.”

I wish I could write like Anna Quindlen. I wish I could see like Anna Quindlen.

Just thinking out loud.

Summing up summaries

Writing the book was easy. Writing the synopsis was a bear.

You’d think that, after investing the better part of a year in my characters, I could crank out a summary as easily as ordering at McDonald’s. Not so for Peak Season, the first in a series of crime novels featuring the former cop turned pacifist Candace McCoy, known to her friends as CW.

Peak Season 3D cover 375x548Even after writing headlines at a daily newspaper for 14 years, I couldn’t distill the essence of the book. Should I focus the synopsis on the plot? On the characters? What if the plot arcs like a roller coaster, and the characters reject their labels? Fanciful but not helpful. Agents want to read a clear, concise summary of the book. They won’t appreciate digression.

I went at it draft after draft, pulling a few characters and themes from the wreckage. Eventually the copy wound up on the back cover of the novel. Here’s the synopsis. I’d be interested in hearing what you think. You can reach me through the comments section or the email link on the bottom of the website’s homepage.

Peak Season synopsis
Life at the beach can be murder.

Forced to shoot a fellow police officer, CW McCoy surrenders her gun and her badge to take refuge in the wealthy tourist mecca of Spanish Point, Florida. There she pedals luxury real estate, cares for her ailing grandfather Pap and tries to escape her past.

But even in paradise during peak tourist season, violence finds her like a divining rod.

Declared dead by the courts, Bobby Lee Darby bursts into CW’s office to demand the family friend clear his name in a scheme to bilk millions from investors. When CW refuses, the fugitive financier kidnaps Pap to ensure her cooperation, triggering a chain of burglary, assault and murder that convinces local police that the former cop has gone rogue.

Racing to find Darby, CW must confront her violent past, risky affairs and love-hate relationship with Southwest Florida before those personal demons turn her new-found paradise into hell on earth.

Street fighting men and women

The patrol car camera shows officers of the Cottonwood Police Department approaching a family in a Wal-Mart parking lot after midnight on March 21, 2015. The police are responding to an alleged assault of a Wal-Mart employee, a relatively routine call in Arizona, or anywhere. When they arrive, they find eight people milling around what looks like a heap of laundry bags behind a Chevrolet Suburban.

As another patrol car arrives, one of the officers says, “We need to separate these folks and talk to them.”

“No, you’re not going to get . . . you’re not going to separate me from my family,” a male family member says.

And then they attack, hitting officers, gouging their faces, wrestling for their weapons. Police try pepper spray, TASERs, a baton. Nothing works. The combatants pummel the police. They raise their hands in surrender only to resume the attack. By the time the fight ends, one officer is shot, one suspect is dead, another wounded and seven taken into custody. The fight lasts seven minutes.

Later, the Arizona Republic will report that the Gaver family performs as musicians on the streets of Boise, Idaho. For the past four days they have been living from their car in the Wal-Mart parking lot in Cottonwood, a town of 11,000 located about 60 miles southwest of Flagstaff.

Nothing is routine
“It’s an example of how things can go wrong fast,” Sarasota Police Officer Sean Gleason says as he shows the video to residents in the SPD Citizens Academy. “I show this video to the [members of the police] defensive tactics class because we need to know about fighting. I want [the officers] to say, ‘I’d survive this situation.’”

The situations are becoming more common. “These days, everybody knows this stuff. They see martial arts on TV all the time. You could be doing a routine traffic stop and the next thing you know you’re fighting for your life.”

Which is why the department’s lead defensive-tactics instructor teaches Brazilian jujitsu, a ground-fighting martial art that schools officers in grappling techniques and escapes.

Officer Gleason applies the vascular neck restraint hold on Officer Shellhammer --Sheila Jellison photo

Officer Gleason applies the vascular neck restraint hold on Det. Shellhammer
–Sheila Jellison photo

Fighting the fighters
The inside of the SPD defensive tactics room looks like my high school wrestling class, with thick blue pads on the walls and floor and a yellow bucket and mop in the corner. Gleason, a K-9 officer, and assistant SWAT team leader Det. Dwayne Shellhammer demonstrate the moves police are most likely to need. Such as when drunks pile out of a bar and start a fight and officers have to wade into the pack.

The drunks turn on the officers. They’re too close to use weapons. The assailants move too quickly to handcuff. Someone grabs an officer around the throat from behind and pulls. That action shows intent to hurt or kill the officer, and lethal force is justified, but Gleason and Shellhammer know a better way. Gleason breaks the hold and applies pressure to the sides of the neck, explaining the move as he demonstrates it.

Non-lethal hold
“We’re the only agency that does the vascular neck restraint. It’s a blood choke where you cut the blood flow to the brain. It’s not like this.” He puts his arm across Shellhammer’s throat. “That’s a choke hold and it can be lethal. The VNR will put them to sleep.” Shellhammer’s face glows red, a testament to the effectiveness of the hold.

“When you become a police officer,” Gleason says, “you have to completely change the way you think about things . . . everything you do, whether eating dinner or making a traffic stop. You ask yourself, ‘what am I going to do if somebody walks in with a gun or someone in that car shoots at me?’ Every call you go on, you have to think, ‘is this person going to attack me and am I ready?’ Mom, dad, a kid . . . anybody could kill you at any time.”

Next: On the firing range with the SPD.

Jeff Widmer is the author of The Spirit of Swiftwater and other works.