Our writers’ group had a discussion this morning about the use of AI to generate content. Is it a high-tech form of plagiarism? Does the work to which it is applied constitute original art? Digitally generated voices have already rendered obsolete the narrators of audio books. Will AI do the same to writers?
To illustrate the dilemma, one of the authors said he was astonished at the accuracy and sophistication of the answers he’d received after asking Microsoft’s AI assistant to summarize the chapters of his memoir. He’s about to pitch the book to an agent and was looking for a convenient way to describe the work.
Another writer said she’d used AI to generate a summary for the back cover of her memoir and felt pleased with the result.
I’ve used AI for research but never for pitching or publication. So, when the meeting ended, I uploaded the text of my first novel and asked Microsoft’s Copilot to write a summary for an agent. It might have taken 18 seconds to get an answer. It wasn’t what I’d expected.
I’ll let you judge whether it’s appropriate. But first, some background.
Peak Season is the first in a series of crime novels featuring a former police officer turned real estate agent and a retired state trooper who virtually lives on his boat along the Gulf Coast of Florida. It is a mystery novel, popular fiction that tackles a number of contemporary issues such as property rights and the environment.
I pitched the manuscript to a number of agents. This was before ChatGPT and other large-language models came into vogue, so my email was entirely human-generated. Here’s what I sent:
Dear [agent’s name redacted]:
She’s the wrong person in the wrong place at the wrong time.
Responding to a domestic disturbance, CW (Candace) McCoy is forced to shoot a fellow police officer to prevent the death of his wife and child. Internal affairs rules the shooting justified. CW can’t and fears she’s inherited the killer gene from her father. Refusing to carry a gun, she quits the force and escapes to Southwest Florida to sell real estate, care for the grandfather who took her in after the murder of her family, and silence the demons that threaten her new life. But even in paradise during peak tourist season, there’s no outrunning bad blood.
Declared dead by the courts, Bobby Lee Darby appears in CW’s office to demand the family friend clear his name in a scheme to bilk millions from investors. When CW refuses, the fugitive financier kidnaps her grandfather and triggers a chain of burglary, assault, and murder that convinces local police the former cop has gone rogue.
Racing to find Darby and her grandfather, CW must confront her violent past, risky affairs, and love-hate relationship with Florida before those personal demons turn her new-found paradise into hell on earth.
A former journalist with Dow Jones, I am the author of The Spirit of Swiftwater and other books, with an eponymous website (jeffwidmer.com) and an extensive social network.
Since you look for new voices in women’s suspense and represent [authors’ names redacted], I think the CW McCoy series would make for a good fit with your agency.
I’ve included the first three chapters below. Would you like to see the complete 72,000-word manuscript and the first chapter of the second book in the series?
OK. Despite my heroic effort, that letter didn’t work, and I wound up independently publishing the novel in 2014. But what if I were to pitch a rewrite and use AI to generate the query letter? When I fed the text of the entire manuscript into Copilot, I got this:
Dear [Agent Name]:
I am thrilled to introduce Peak Season, a novel that captures the electric tension between fleeting beauty and the transformative impermanence of life. Set in a sun-drenched coastal town where every summer day burns with both promise and poignancy, this story follows [Protagonist Name], a determined soul navigating the dizzying interplay of desire, loss, and rebirth. As the town swells with the vibrant energy of peak tourist season, long-hidden family secrets, unexpected romances, and personal reckonings emerge, forcing our heroine to confront the true cost of chasing a dream—even when that dream burns as bright as the midsummer sun.
At its heart, Peak Season is a deeply atmospheric exploration of the human spirit. It invites readers to savor the bittersweet cadence of relentless change: the ephemeral thrill of new beginnings and the heart-wrenching inevitability of endings. Through lyrical prose and raw, immersive storytelling, the novel paints an intimate portrait of individuals who, like the turbulent coastal tides, are in constant flux—seeking meaning in moments both fleeting and profound.
I believe that Peak Season will resonate with readers who appreciate literature that not only entertains but also challenges them to reflect on the impermanence and intensity of life. Its richly woven narrative and authentic emotional depth offer a fresh voice in contemporary literary fiction—a voice destined to captivate audiences in today’s dynamic literary landscape.
Thank you for considering this submission. I would be delighted to send you the full manuscript and discuss how Peak Season can find its place among today’s most compelling literary works.
Warm regards,
The transformative impermanence of life? I’ll accept raw, immersive storytelling. Even a fresh, contemporary voice. But literary fiction? A bridge too far, and an inaccurate reading of the tone of the book, which is more Chandler and Evanovich than Proust or Joyce.
But enough of my views. What do you think? Is AI the shortcut to greater productivity and happiness or a Trojan Horse we’ll live to regret?
Ask your computer or phone. They’ll know.























