The novel coronavirus is sweeping the world. How does a vaccine-maker meet that challenge?
More than a hundred years ago, Dr. Richard Slee faced a similar situation with another virulent disease–smallpox. His fight provides a window into that process, and a cause for hope.
First, some background on one of the unsung pioneers of medicine. (His story appears in detail in my first book, The Spirit of Swiftwater.) Slee was born in 1867, a golden age of American expansion. He became a physician and went to work for the surgeon general of the Army, later the United States, a forward thinker who was concerned about the spread of smallpox. Pandemics in sixteenth-century Mexico killed 3.5 million people and accounted for nearly 9% of all deaths in nineteenth-century England. By the late 1800s, similar outbreaks were ravaging major cities in the United States.
The irony was, Americans had access to a vaccine. It just had some serious side effects, and that generated a public backlash. The French, on the other hand, had developed a safer version. The surgeon general wanted to manufacture it in the United States, and sent Slee to France to learn the secret.
Slee returned with a glowing report. Not only was the French formula more efficient, it had fewer side effects. As a bonus, it offered a longer shelf life, essential to any medicine that isn’t immediately used.
The surgeon general was so impressed, he encouraged Slee to build his own facility to manufacture the vaccine.
The rest, as they say, is history.
The decade began with a revolt against the restrictions of the 1950s and folded back in on itself. Along the way, it bounced from one extreme to another. We marched for peace and rioted for justice. At Woodstock, we celebrated the unifying power of music. Four months later, the innocence died with the concert at the Altamont Speedway.
At the time, none of it made sense. As we approach the 50th anniversary of Woodstock, we have the opportunity to look back, not in anger but with an understanding of the forces that shaped our world.
The 12 brief essays that comprise Finding Woodstock reflect on one of America’s most turbulent times, examining the promise of the era and the decade that shaped our lives. A companion to the novel Born Under a Bad Sign, the collection provides the backstory to a generation that is still trying, as Joni Mitchell once sang, to get back to the garden.
I came of age in the 1960s, absorbing the culture, learning the music, praying I wouldn’t get shipped to Southeast Asia. While my new standalone novel is fiction, Born Under a Bad Sign is based on a series of historical and personal events that played out in many of our lives, from the war in Vietnam to the fight against the Tocks Island Dam to the dicey gigs our band played to keep the dream alive.
Titled after the 1967 hit by blues master Albert King, Born Under a Bad Sign introduces a pair of unlikely heroes, a Quaker and a rocker, Elizabeth Reed and Hayden Quinn—lovers, fighters and opposites in every way. It’s through their eyes that I’ve tried to capture the heady rush of those years. In the run-up to the 50th anniversary of the most famous rock festival of our time, we’ll look at the impact of the Sixties, at Woodstock and Vietnam, at the government’s plan to dam the Delaware River and the people whose homes and lives were demolished by that project.
And, above all, we’ll reconnect with the music. Join me as we revisit an era that shaped a generation.
Two years after the Summer of Love and life in the rural town of Pennsboro, Pennsylvania is about to explode. A dam that would flood the valley pits family against family. Protesters riot. Buildings burn. Amid the chaos of 1969, two lovers risk everything to fight for their dreams.
That turmoil forms the setting for my first standalone novel, Born Under a Bad Sign, a book that captures the spirit of the era through the eyes of an unlikely couple—a pacifist Quaker and a rebellious rocker, two people who wield their differences like armor and sword.
Elizabeth Reed has three passions: photography, the river the government wants to dam and a musician who can’t settle on any one person or place. Hayden Quinn, the guitarist Rolling Stone calls the next Jimi Hendrix, feeds a single obsession—to play Woodstock, the biggest concert of his life. He presents Elizabeth with a dilemma: does she stay to save her family farm, or relinquish her dreams to follow Quinn into the unknown?
In a time when her generation trusts no one under 30, Elizabeth must face the greatest risk of all—whether to trust herself.
The story of Elizabeth and Quinn is inspired by real events. I grew up in Northeast Pennsylvania, the site of that proposed dam, and watched the conflict tear apart families and entire towns. Our band never would have made it to Woodstock but we opened for national acts and played some of the holes Quinn’s fictional group plays. And like Elizabeth, I wielded a camera for a small newspaper that covered the crises of the region, including the forced eviction of its citizens and the squatters who claimed their land.
Coinciding with the 50th anniversary of Woodstock, the novel is a portrait of love and loss in the one of the most turbulent times in American history.