A Not-So-Distant Warning

August 18, 1955 is a day that will live in infamy for people of the Northeast. That was the day the Flood of ’55 ravaged our small town. Back-to-back hurricanes Connie and Diane turned peaceful creeks into raging torrents, sweeping aside towns from Pennsylvania to Connecticut and killing hundreds, seemingly in the blink of an eye.

As a child, I don’t remember much of that time, but years later, as a journalist investigating the events of that terrible night, I was stunned by the hardship and heroism of those who survived. With the benefit of hindsight, I decided to explore their stories through a series of novels.

The first book in the trilogy, Distant Early Warning, introduces us to the Andersen family as they struggle to recover from the devastating flood. The novel, and the ones to follow—Cold Fire and Good People—portray the dreams and fears of a family, town, and country as they navigate the promise and perils of Cold War America. Distant Early Warning doesn’t only refer to the DEW Line, the system of Arctic radar stations designed to detect incoming Soviet bombers. The title serves as a metaphor for the internal system that warns us of impending danger, warnings we often ignore.

Russia, rockets, race, and repression—issues the Andersens tried to resolve in the ’50 that revisit us today. As does their struggle for mercy and hope.

Theirs is a journey from darkness to light. Follow it here. Or start with that terrible night of August 18 in this excerpt from Chapter 4.

AT TEN TO NINE, Georgia let Skippy out for a short walk, wiped the dog’s back with a dishtowel, and moved her box into the kitchen. This was Georgia’s time. Switching on the television, she settled on the couch and tried to watch Fear Strikes Out, a movie Marsh would have liked about center fielder Jimmy Piersall. But at 9:30 the lights vanished with a snap. Suddenly blind, she groped toward the telephone. It was out, too. Now there was no way to call Marsh, even if she knew where to find him. And he had taken the car.
       From the street, shouts competed with the swish of tires, then a shudder as something heavy struck the bridge, rattling the house as if the earth had broken in two. The room squeezed her heart. Inhaling through her mouth, she told herself she was responsible for the children and had to think of their welfare. Marsh said that, if the town declared an emergency, the fire chief would blow the siren, and someone would come to their rescue. She could wait for the siren, but not in this stifling dark.
       Groping through a drawer in the kitchen, she found a small flashlight, thumbed the button and, checking that Skippy was safe in her makeshift bed, traced a path upstairs. Awakened by a noise in the street, Wil emerged from his room, still dressed in his life vest and rocket pack, ready to battle whoever he imagined had attacked the house. Cradling Penny—the baby fussed but didn’t cry, the cereal settling for once—Georgia led him downstairs, where she rummaged through another drawer to find their good tapers and a box of matches. Placing the candles on the table, she opened the screen door and peered into the dark. She didn’t need a light to sense the rush of water across their yard. The town’s storm sewers were designed to handle a hard rain. Their home was not.
       Wil noticed it first. Lifting a hand to stay his questions, she listened to the tinny sound of water trickling into the house. Opening the door to the basement, she played the flashlight over a small lake, the surface foaming like root beer. The seasonal items they’d stored bumped against the bottom of the steps—boxes of clothing, Christmas decorations, a pair of lawn chairs Marsh had promised to fix. Within the time it took to identify each object, the water rose to the second step, then the third. In minutes, it would reach the kitchen, sweeping them and their possessions through the front door.
       The playpen sat a good nine inches above the living room floor. She set Penny inside and turned to her son.
       “You’re a big boy now. I need you to help Mommy move some things upstairs.”
       Slipping into her boots, assuring herself that Wil had buckled his, she tottered down the basement stairs, hanging onto the railing, calling for Wil to be careful. The water had risen so rapidly, she had to duck to see under the rafters. Playing the light over the walls, she watched as water gushed between the stones, flooding the furnace and coal bin and inching dangerously close to the fuse box. They’d used the last of their spares, and there was no way, once the power came back, she was going to wade through that water and use a penny to complete the circuit.
       Urging Wil up the stairs, she closed the door and leaned her head against it. Even with the curtains open, the windows appeared blank, the streetlamps dead. The flashlight cast a narrow cone in one direction only. There was no place to set it and see clearly enough to climb the stairs to the bedrooms. Georgia would have to hold the light and the furniture, and her hands were already slick with sweat. She and Wil were able to lift the lamps, books, and ottoman onto the dining room table. The rugs they lugged upstairs and piled into the bathtub. There would be a mess to clean before she could bathe Penny, but it was the best they could do.
       Wil hovered at her side, jittering as if he had to go to the bathroom. “Can we bring Phil upstairs?”
       Marsh had spoken to Wil about how, as people grew older, they said goodbye to their imaginary friends, but now was not the time for a sermon. Besides, the Philco had cost nearly five hundred dollars, more than a tenth of what Marsh earned at the paper, and Georgia wasn’t about to lose it. She and Wil tried to drag the television up the narrow stairwell but couldn’t shove it past the first few steps. They left it on the landing and made their way to the kitchen.
       Where was Marsh, and was he all right? And where were the firemen he was supposed to send? Wil’s bedtime prayer rang in her head.
       Now I lay me down to sleep.
       The radio had died. Rain thrummed against the roof, the sound clotting her ears. She considered leaving, but where could they go on foot? Besides, there was a house between them and the creek and a concrete retaining wall lining one side of the bank. The town must have thought it would hold the water or they wouldn’t have built it.
       I pray the Lord my soul to keep.
       Thunder rolled over the house, rattled the windows, shook the floor. Wil took her hand. Penny issued a startled cry. Lifting her from the playpen, Georgia moved to heat water for a bottle before she realized the appliances were as dead as the lights. Dumb, she thought and dutifully pushed a nipple through its plastic ring, mixed the formula with tepid water from the tap, and let it sit.
       If I should die before I wake.
       The fire sirens came on with the whoosh of a gas burner, the sound oscillating between panic and fear. It cut through her chest. The creek would ignore the warning. Georgia pictured it as a mythic creature rising on stout legs, beat its chest, thundering its demands. She, too, would not be moved. They would ride out the storm until help arrived.
       I pray the Lord my soul to take.
       The sound of rain intensified. It seemed to buckle the walls. Holding Penny and the flashlight, she instructed Wil to jam towels under the back door. That would keep some of the water at bay. The basement posed the real threat. The old stone walls could collapse. Before sealing the cellar, she ventured a last look. Clasping the light to the baby’s back, Georgia aimed at the door. With her free hand, she reached for the knob and hesitated, her fingers suspended in the beam, her body sensing the weight of something trapped below the stairs, the pressure on a dam ready to burst. As if watching herself, she grasped the handle and cracked the door.
       Even as she stumbled back, she knew she’d made a terrible mistake.

But our intentions were good

Our writers’ group had a discussion this morning about the use of AI to generate content. Is it a high-tech form of plagiarism? Does the work to which it is applied constitute original art? Digitally generated voices have already rendered obsolete the narrators of audio books. Will AI do the same to writers?

To illustrate the dilemma, one of the authors said he was astonished at the accuracy and sophistication of the answers he’d received after asking Microsoft’s AI assistant to summarize the chapters of his memoir. He’s about to pitch the book to an agent and was looking for a convenient way to describe the work.

Another writer said she’d used AI to generate a summary for the back cover of her memoir and felt pleased with the result.

I’ve used AI for research but never for pitching or publication. So, when the meeting ended, I uploaded the text of my first novel and asked Microsoft’s Copilot to write a summary for an agent. It might have taken 18 seconds to get an answer. It wasn’t what I’d expected.

I’ll let you judge whether it’s appropriate. But first, some background.

Peak Season is the first in a series of crime novels featuring a former police officer turned real estate agent and a retired state trooper who virtually lives on his boat along the Gulf Coast of Florida. It is a mystery novel, popular fiction that tackles a number of contemporary issues such as property rights and the environment.

I pitched the manuscript to a number of agents. This was before ChatGPT and other large-language models came into vogue, so my email was entirely human-generated. Here’s what I sent:

Dear [agent’s name redacted]:

She’s the wrong person in the wrong place at the wrong time.

Responding to a domestic disturbance, CW (Candace) McCoy is forced to shoot a fellow police officer to prevent the death of his wife and child. Internal affairs rules the shooting justified. CW can’t and fears she’s inherited the killer gene from her father. Refusing to carry a gun, she quits the force and escapes to Southwest Florida to sell real estate, care for the grandfather who took her in after the murder of her family, and silence the demons that threaten her new life. But even in paradise during peak tourist season, there’s no outrunning bad blood.

Original book cover

Declared dead by the courts, Bobby Lee Darby appears in CW’s office to demand the family friend clear his name in a scheme to bilk millions from investors. When CW refuses, the fugitive financier kidnaps her grandfather and triggers a chain of burglary, assault, and murder that convinces local police the former cop has gone rogue.

Racing to find Darby and her grandfather, CW must confront her violent past, risky affairs, and love-hate relationship with Florida before those personal demons turn her new-found paradise into hell on earth.

A former journalist with Dow Jones, I am the author of The Spirit of Swiftwater and other books, with an eponymous website (jeffwidmer.com) and an extensive social network.

Since you look for new voices in women’s suspense and represent [authors’ names redacted], I think the CW McCoy series would make for a good fit with your agency.

I’ve included the first three chapters below. Would you like to see the complete 72,000-word manuscript and the first chapter of the second book in the series?

OK. Despite my heroic effort, that letter didn’t work, and I wound up independently publishing the novel in 2014. But what if I were to pitch a rewrite and use AI to generate the query letter? When I fed the text of the entire manuscript into Copilot, I got this:

Dear [Agent Name]:

I am thrilled to introduce Peak Season, a novel that captures the electric tension between fleeting beauty and the transformative impermanence of life. Set in a sun-drenched coastal town where every summer day burns with both promise and poignancy, this story follows [Protagonist Name], a determined soul navigating the dizzying interplay of desire, loss, and rebirth. As the town swells with the vibrant energy of peak tourist season, long-hidden family secrets, unexpected romances, and personal reckonings emerge, forcing our heroine to confront the true cost of chasing a dream—even when that dream burns as bright as the midsummer sun.

AI-generated cover

At its heart, Peak Season is a deeply atmospheric exploration of the human spirit. It invites readers to savor the bittersweet cadence of relentless change: the ephemeral thrill of new beginnings and the heart-wrenching inevitability of endings. Through lyrical prose and raw, immersive storytelling, the novel paints an intimate portrait of individuals who, like the turbulent coastal tides, are in constant flux—seeking meaning in moments both fleeting and profound.

I believe that Peak Season will resonate with readers who appreciate literature that not only entertains but also challenges them to reflect on the impermanence and intensity of life. Its richly woven narrative and authentic emotional depth offer a fresh voice in contemporary literary fiction—a voice destined to captivate audiences in today’s dynamic literary landscape.

Thank you for considering this submission. I would be delighted to send you the full manuscript and discuss how Peak Season can find its place among today’s most compelling literary works.

Warm regards,

The transformative impermanence of life? I’ll accept raw, immersive storytelling. Even a fresh, contemporary voice. But literary fiction? A bridge too far, and an inaccurate reading of the tone of the book, which is more Chandler and Evanovich than Proust or Joyce.

But enough of my views. What do you think? Is AI the shortcut to greater productivity and happiness or a Trojan Horse we’ll live to regret?

Ask your computer or phone. They’ll know.

Now Hear This

All five books in the CW McCoy/Walter Bishop series of mystery novels are now available in audio from Amazon. And all at less than $10 a piece, a third of the usual cost.

The series follows former police officer and real estate agent Candace McCoy as she tries to balance career and crime with the care of her grandfather. The setting will be familiar to many—a tony beach town remarkably similar to the twin Florida cities of Sarasota and Bradenton.

You’ll find audio, e-book, and paperback versions of the novels here:

You are where you are

Location, location, location. You hear it all the time in real estate. The tagline is just as important in fiction. And appropriate, given that the lead character in the CW McCoy series of crime novels is a woman who sells real estate. As a transplant, I’m especially aware of it.

That leads to a question I’ve asked since I began writing novels: just when does setting become a character? When does location move from background to foreground?

Readers from Pennsylvania to Florida have called out locales they recognize in both the McCoy and the Brinker novels. Even with names altered to simplify and protect, those locations seem to resonate with them.

As we near publication of the fourth McCoy novel, let’s review the importance of place in the series, which started with Peak Season and progressed to Tourist in Paradise and the latest, Curb Appeal. (You’ll have a chance to preview the new title and cover design later this year.)

In the meantime, I hope you enjoy these scenes from Florida’s Gulf Coast, where the sun shines on the good and bad alike.

Jeff Widmer is the author of five novels and three books of nonfiction. You’ll find his Amazon author page here.

Condos line the skyline of Sarasota, Fl, across from the marina where Walter Bishop berths his sailboat in Peak Season

 

 

Deep Hole at Myakka Park, where alligators aren’t the only predators in Curb Appeal

 

 

 

 

 

 

 

 

 

 

 

Reading, Florida style

My wonderful friend and fellow writer Jeanne Johansen sent me this photo of two members of her husband’s book club reading Peak Season on Florida’s Treasure Coast.

Peak Season marks the first of a trilogy of crime novels featuring real estate agent turned investigator CW (Candace) McCoy. You can find it and the other novels in the series at Amazon, Barnes & Noble, iTunes and Kobo, with the audio version at Audible.

Thank you, readers, everywhere.

Have a photo of you or your friends reading a CW or a Brinker novel? Feel free to send the image to editor (at) allusionbooks (dot) com.

 

‘Thrilling and suspenseful’

What a way to start the new year. Amy Shannon of Amy’s Bookshelf has written an expressive review of Curb Appeal that awards the novel four stars. She calls CW McCoy’s third outing in the Southwest Florida series “thrilling and suspenseful.”

Since the review is brief, and Amy has graciously granted permission to reprint it, I’m doing so here.

“This is a great story that has more than just one plot, but the major plot points to a murder and CW is a detective who must solve it. The writing brings the reader right smack in the middle of the story. It’s an interesting and intriguing story, and makes the reader want to see more sides of CW McCoy. I haven’t read other books from Widmer, but I definitely will add more to my TBR list. I look forward to going back to reading the first two McCoy books.”

So do customers who have left comments on Amazon. “A spell binding addition to the CW McCoy series. Can’t wait for the next one.” “I like how the characters have developed over the three books, the drama and the levity in parts. It is a good read!” “I read it in two sittings and got nothing done around the house! I loved it and highly recommend it.”

Reader reaction to Peak Season, the first of the McCoy novels, was just as enthusiastic. Kirkus Reviews called it “an entertaining mystery romp” and things just got better from there. “Really a good read with lots of character details and plot twists.” “Widmer’s created a great protagonist with many facets…hope to hear more of her!” “The details of south Florida lifestyle and tourist season are spot on.” “Made me want to hear more of CW’s adventures!”

Many came to the novel through the audiobook version and wanted to hear more. “Very skillfully written; the characters are described in such detail that they feel real and relatable.” “The scenes are intricate, suspenseful, and haunting. This book has everything: mystery, romance, suspense, and murder! Overall, Peak Season was a very engaging read and I cannot wait to start the next novel.” “All in all, a great start to what promises to be an interesting, fun series, and I look forward to finding out what Jeff Widmer has in store for CW in the future.”

Those who like a strong female protagonist in mystery/suspense fiction might appreciate these reactions: “Amazing that a male writer can do such a great job with a female character as the lead!” and “A good read for guys, too, even though the main voice is a woman.”

You can find all of the books in the CW McCoy series in print or electronic form at Amazon, Amazon UK, Barnes & Noble, iTunes, Kobo and through bookstores everywhere. Peak Season is available in audio format through Audible, as is my other mystery/suspense series, starting with Mr. Mayhem, the book that introduces the defrocked journalist named Brinker who, as a purveyor of public relations, brings new meaning to the term fake news.

 

‘What’s not to like about this new novel?’

What’s not to like about a good review?

No, they’re not uncommon. Most writers can find something positive to say about a book. But unqualified praise? It’s rare.

That’s why I’m so pleased to see Ryan G. Van Cleave’s assessment of Curb Appeal, the latest in the series of mystery/thrillers featuring detective-turned-real-estate-agent CW (Candace) McCoy. (No, that’s not her in the photo on the left.) The piece appears in the October edition of Scene magazine.

For those of you who don’t feel like following the link, here’s an excerpt:

“What’s not to like about his new novel by Sarasota resident Jeff Widmer? Most of the things I look for in a mystery are right there. Hot new cop boyfriend faces assault charges—check. Rival real estate agent is strangled by a lacy black bra in chapter 1—check. Back-to-back hurricanes—check. Seriously, Widmer understands the value of pacing and creating a driving forward momentum. But he still knows how to sprinkle in telling details. Widmer’s Curb Appeal presents the image of an intriguing book—and the reality matches.”

I’m especially pleased to see the review combined with one of Patricia Gussin’s latest books, Come Home. Dr. Gussin is a former executive with Johnson & Johnson who specializes in writing medical mystery/thrillers. She and her husband Robert run the independent Oceanview Publishing on Longboat Key, Florida. I’ve read her work and heard her speak at the annual Venice Book Fair, and she’s as informative in person as she is in print.

Ryan has a raft of publishing experience, too. He is a poet, editor, and teacher who lives in Sarasota, Florida, where he heads the creative writing program at The Ringling College of Art + Design. An Amazon.com best-selling author and co-author, he has penned and edited a diverse field of books, including Memoir Writing for Dummies, Contemporary American Poetry and Unplugged, My Journey into the Dark World of Video Game Addiction.

He’s a writer who is generous with his time and praise, as is the person who brought Curb Appeal to his attention, fellow author and teacher Eric Sheridan Wyatt.

What’s not to like about that?

Creatures of habit

This month, I’ve been posting images of Southwest Florida that inspired many of the scenes in Curb Appeal, the third installment in the CW McCoy series of romantic suspense novels. If you would like to see the collection in one place, head over to Flickr for a global view of the scenes and people who inhabit CW’s world.

And speaking of characters. . . . While locations along the Gulf Coast weave their way into the novel, animals play an equally important role. Witness this trio, some of whom make regular appearances at Myakka River State Park as well as the Sarasota Farmers’ Market.

 

 

I once was lost but now I’m found: Sugar Bear returns in #curbappeal

 

Playing it safe

The National Association of Realtors has been at the forefront of promoting agent safety. The organization’s Realtor Safety Program website offers several resources for agents as well as background on why a personal safety plan is important. It also provides a context for buyers and sellers who may see some of these precautions as inconvenient or unnecessary.

One of the most accessible tools on the site is the video “Real Estate, Safety, and You,” through which consumers can learn about the safety protocols they may encounter when working with an agent.

(In Curb Appeal, fictional real estate agent CW McCoy breaks it down into the Three C’s: set the initial client meeting in the office, copy their drivers’ licenses and, when showing the property, never get cornered.)