Changing the view of black and blue

A police officer shoots an unarmed civilian. A criminal assassinates a deputy. People march, riot, while others call for peace. Across a widening divide, battle lines form. Black Lives Matter. Blue Lives Matter. In the middle, a sheriff suggests that all lives matter.

America is coming apart. America is coming together. The people we hire to protect us attack and are themselves attacked. Support erodes. Doubts replace trust. In an increasingly hostile environment, what can law enforcement do to help society regain its balance?

It can show the public how policing works, the dangers, the challenges, the limitations officers face. Two agencies in Sarasota County do that, the Sarasota Sheriff’s Office through its Citizens Law Enforcement Academy and the Sarasota Police Department through its Citizens’ Academy. I’ve attended both, riding with officers, conducting mock investigations, standing in the use-of-force simulator with a gun,  a TASER and the feeling that life has spun out of control.

It’s an issue all of America faces, one that prompted me to write a book about the experience. The book is called Riding with the Blues, Behind the Badge with the Sarasota Police Department. It’s an attempt to find out what law enforcement does when the cameras aren’t rolling. Here’s the first chapter:

Chapter 1: Simulated Fear
My partner and I sweep into the office building, weapons held in firing position, stomachs bouncing like trampolines. There’s an active shooter in the building. People move in and out of the frame, a jumble of corridors and desks, the wounded lying on the floor, workers, police officers, some calling for help. We have no time.

Riding with the BluesA tall man with shoulders rounding a white polo shirt crosses between several desks and turns into an office. He raises his arm and fires. We edge closer. As the man backs out of the office he spots us and, half-turned, starts to raise his pistol. My partner and I yell “Police! Drop the weapon!” but he doesn’t and we fire, hitting him several times. As he goes down, silence crowds the air, and as we inch forward, a dark figure climbs from behind a desk.

Is he a shooter, a victim, a hostage? Is he armed? We’ve been briefed about the law, how shooting unarmed civilians can land us in jail, how hesitating may get us killed. As the man rises, we have a nanosecond to make a decision.

We freeze. He’s too far away to see his eyes but he’s got something in his hand, and we’re in the open, nothing between us but raw space. Crawling around the side of the desk, crouching in the corridor, the man raises a handgun and starts shooting. We return fire until he collapses. I have no idea if we’re hit, just that he’s not moving.

The officer behind the computer freezes the frame. On a screen larger than the biggest home theater, crosshairs dot the shooter’s chest, marking the places where we’ve landed rounds. As the adrenalin cools, we come back to a different reality.

In the dim light, everything looks gray, the walls, the carpet, even the screen. We’re standing in a classroom on the third floor of the Sarasota Police Department (SPD) in Sarasota, Florida, experiencing the use-of-force simulator as dozens of rookie officers have over the years. Only we’re not recruits. We are civilians enrolled in the SPD’s Citizens’ Academy, a twelve-week program designed to reveal the realities of police work and the people who live in the often closed world behind the badge.

The simulator is a humbling experience. It pinpoints our lack of training and resolve. It highlights the violence of our culture, and the risks that officers and civilians face in any encounter. This is the dark half of policing, the part we see in movies and on TV, always from the spectator side of the camera, the focus on how the situation looks, not how it feels. As we turn in our weapons and return to class, I recall the shooting of civilians by police in Ferguson, Baltimore, South Carolina. I think back to the first session of the Citizens’ Academy and the chief’s talk about community policing, the part about cooperation and understanding, about winning the hearts and minds of the citizens, and I wonder how the two halves fit.

Celebrating openness with the SPD

We gather on the second floor of the Sarasota Police Department to celebrate our graduation. There’s a cake, a couple of proud parents and about 20 members of the SPD Citizens Academy. We’re a collection of real estate agents and financial advisers, retirees and writers. We have come to peek into the guarded world of law enforcement and over the past 12 week’s we’ve learned about the hazards of policing on both sides of the badge.

Members of the SPD command staff are here, acting Deputy Chief Pat Robinson and the captain of patrol operations, Kevin Stiff, as are those who organized the academy, Training Officer Jeff Dunn and the volunteers who lugged coolers of soda and water and boxes of pastries and name cards every week.

They have certificates, photos and a parting message for us: we’ve helped them as much as they’ve helped us.

“We are grateful for people who want to live through our eyes,” Capt. Robinson says. “Officers are put under an immense amount of stress. The more folks we can educate on why we do things, the better our interaction with the citizens.”

Jeff Dunn says officers also benefit from the class by getting feedback from some of those citizens.

Robinson echoes that, adding that police can become jaded because they deal with a small but difficult portion of the population. “Sometimes you lose perspective.” (You can download an application for the next citizens’ academy here.)

For our part, we’ve learned about legal rights and wrongs, equipment and procedures, prostitution and traffic stops, court cases and crowd control. We’ve heard from the victim advocate, the public information officer, the state attorney, the coordinator of volunteers. We’ve watched K-9 dogs attack and officers defend themselves. We’ve investigated a crime scene, toughed it out in the use-of-force simulator and fired weapons at the gun range.

In between, we’ve listened to officers describe their background and their passion for the job.

In 12 weeks we’ve learned things aren’t simple. Most officers play by the rules. Some don’t. During traffic stops, most people are polite. Some shoot cops. When we watch video of situations where police use force, the solution looks simple. Hindsight will do that. But we weren’t in that battle, with bullets and adrenalin flying, with limited time and information and options. People make decisions that aren’t rational. The second-guessing, the labels good and bad . . . those come later.

After riding with officers, sharing a meal and listening to their stories, many of us are convinced the most important part of the course isn’t about guns or self-defense or crime scenes or SWAT. The most interesting aspect of police work are the officers themselves.

Getting them to open up might be the biggest cause for celebration.

Jeff Widmer is the author of The Spirit of Swiftwater and other works.

 

SPD Facebook banner photo Web

Riding with the blues

Officer Bryant Singley walks into the glass and metal headquarters of the Sarasota Police Department with a shell casing in a surgical glove and heads upstairs to the evidence room. Someone found the brass in a yard and called the police. It’s a minor matter, no crime has been reported, but Singley takes his time to get the paperwork right.

He fills out a property report, puts the casing in a plastic bag, seals it, fills out an evidence sticker, notes the case number on a paper log and puts the bag in one of the black lockers. “In case they need it in another case.”

Singley is a veteran of the U.S. Army and the Austin Police Department. He’s worked for the SPD for the past 11 years. Today he’s doing light duty, hauling a writer around in the passenger seat of his cruiser on what law enforcement calls a ride-along. He gets to fight crime; I get to watch.

He’s not even out of the building when he gets a call on his radio. I can’t make out the assignment, just his summation to me. “We’ll clear the call and then it’s crossing-guard duty.”

The car is black inside with a molded gray plastic backseat with seatbelts and a plastic partition and, in front, a computer mounted on a tray within easy reach of the driver. I squeeze in next to it and we roll.

Sign of the times
The first stop is the 1800 block of Loma Linda Street near Sarasota Bay. Two property owners are having an argument over a stolen NO TRESPASSING sign. We park on the narrow street with a pest-control vendor on one side and dump trucks rumbling down to the cul-de-sac to excavate for a new home.

“Stay by the car until I introduce you,” Singley says and walks to the door of a brick and beam house with a metal roof.

We meet a woman in running gear with a bright cap pulled over her eyes who says the neighbor in back of her lot keeps taking her sign. She’s early fifties with a low, calm voice and a slight curl to her upper lip. She’s holding a new sign with a stapler tucked under her arm.

The officer introduces me to the woman—we’ll call her Becky. We stand in the sun in the neighbor’s driveway and look at the lot, a stretch of that light gray sand that covers most of Florida. A wooden fence stands in back. A tall man with a water bottle and a gray T-shirt depicting a sailfish wanders into the conversation. Maybe the husband. The neighbor, a middle-aged woman with broad blond hair and a smile to match, joins the group.

Singley looks at the fence that separates Becky’s lot from her neighbor’s house and asks for the story. Becky says she knows the neighbor took the sign she’d tacked on the fence, but she can’t prove it. Singley says, “You two have had some troubles before.”

Becky think about this revelation. “Yeah,” she finally says and accuses the woman in back of tossing her lawn clippings over the fence and wandering into other people’s yards. “She’s crazy.”

Sidewalk diplomacy
Singley dismisses the comment. He asks for details and says he’ll be back. We get in the patrol car, drive around the corner to Bahia Vista Street and stop at a wooden house we later learn is 100 years old. A wooden fence surrounds the house, garage and shed. We stand on the gravel landscaping and try the gate. It’s locked. The officer and I walk up two concrete strips to the garage and he shouts “Hello?” but no one answers.

We find the woman we’ll call Linda around the other side of the house, near the shed. She’s mid-sixties, short and thin with dark hair and eyes that bounce between us.

Officer Singley says, “You know why I’m here,” and asks if she took the sign. She shakes her head vigorously and says she didn’t even know there was a sign and begins to delineate her property lines. She wants to show us the fence so we walk to the back of the house and she points to a tree on her land. Someone has sawed off the limbs that would have hung over the fence. Linda accuses her neighbor of doing that, when she wasn’t home.

Singley tells her how it’s going to be: she’ll agree to keep to her side of the fence and Becky will do the same. “Just ignore each other,” he says and we return to the empty lot, where Singley says the same thing to Becky, who looks up and down the street and shakes her head and frowns.

We sink back into the car and bathe in the air conditioning and head to our next assignment—lunch at Nancy’s BBQ, where we sit outside and eat pulled pork sandwiches and talk about the Temptations, Bobby Womack and early Michael Jackson, “Before he fixed his nose,” Singley says. How about Etta James? “That’s my mama’s generation.”

I ask him about recent incidents involving police and the use of force. He declines to comment, saying “I wasn’t there.” His philosophy about policing is simple. “I don’t comment on what I don’t know,” then adds, “I just want to go home at the end of the day.” Go home alive, he means.

Hitting the road
At Southside Elementary School, it’s hot and getting hotter, with temperatures and humidity in the upper 80s. It’s the kind of day where if you stand outside, you find a patch of shade. In the middle of the crosswalk, there is no shade.

This morning Officer Singley got word that the crossing guard at Southside couldn’t work so his lieutenant assigned the duty to him. I can’t tell if this is scut work or part of the chief’s community policing policy. Probably neither.

We arrive before 2:45 p.m. for a one-hour shift. Officer Singley parks on the grassy shoulder and hits the roof lights to slow traffic. Then he gets out, dons a yellow vest and whistle and waits at the corner of South Osprey and Webber by the signal box for pedestrians. On the rough concrete sidewalk someone has spray painted in perfectly straight letters the words, “Wait here.”

We wait.

When the kids show up, Singley’s ready. He watches everything—cars going too fast through the school zone, cars parked on the sidewalk, a guy driving with a phone to his ear, a man on a ladder half a block away. He yells at a young female driver to buckle her seatbelt. He’s got eyes in back of his head. He’s also got a cheerful banter going with the people leaving school, and not just the mothers and grandmothers with their younger kids and strollers and umbrellas. He asks the kids what grade they’re in and why they’re carrying a basketball and whether they or their younger sister has more freckles. And then he punches the button on the pole and blows his whistle and walks to the middle of the intersection and wishes them all a good day.

“It’s hot,” he says on his way back and looks for more pedestrians and punches the button and does it all over again.

Remains of the day
At 3:50 p.m. the sidewalk empties and we pile into the squad car and head for headquarters. As we drive on Osprey, something about the black VW Jetta in front of us catches his eye. In the 1600 block of Main Street, Singley calls in the tag number and pulls the car over.

“Wait here,” he says.

Approaching the driver’s side of the car slowly, he places a palm on the rear window to mark the car and leans forward to talk to the driver. When he gets back in the cruiser he says, “She says she doesn’t know why I pulled her over,” and punches the license number and tag into the computer. Up comes a photo of the driver’s father and a yellow block of type that says the tag has expired. Singley compares the woman’s information on the screen with her license and through a series of drop-down menus completes the ticket. He clicks a button labeled “issue citation” and a printer between the seats spits out two copies of what looks like a grocery-store receipt. He gives one copy to the driver.

Then it’s back to the glass and metal headquarters and we’re done. I thank him for the ride. We shake hands. It’s still hot and he’s got another hour-and-a-half to go before his 12-hour shift is up but he smiles anyway.

An uneventful day, but at least we both get to go home.

Next: graduation from the SPD Citizens Academy.

Jeff Widmer is the author of The Spirit of Swiftwater and other works.

 

Officer Bryant Singley ticketing VW Jetta 72dpi

Traffic stops: the good, the bad, the nightmare

It was supposed to be a routine traffic stop. Two Middlefield, Ohio police officers pull over a Saturn sedan for running a stop sign in March of 2013. In the video, the sky’s a typical washed-out winter blue. Cars keep rolling down the street as if nothing’s happening in this town of 2,700, located 45 miles due east of Cleveland.

Suddenly the driver opens his door and unleashes 37 rounds from an AK-47. The patrol car’s windshield splinters. Smoke drifts across the dash-cam as the officers return fire. “Kill me!” the man shouts and collapses in the street.

Police had pulled the driver over for a simple moving violation. The stop turned into an armed attack that resulted in the death of the driver and the injury of both officers.

Most traffic stops don’t end like that one but the danger exists–witness the killing of two officers in Hattiesburg, Mississippi on May 9. So does the legal hazard of police violating a citizen’s Fourth Amendment right to protection from illegal search and seizure. For the Sarasota Police Department, where three officers face investigation after a man pulled over for a moving violation died, traffic stops are anything but routine.

Officers Helios Blanco and John Vanik show the Middlefield video to members of the SPD Citizens Academy to make a point: that when it comes to traffic stops, the operative word is safety. Police must protect themselves when approaching a vehicle. Drivers should keep that in mind when evaluating an officer’s behavior . . . and their own.

Danger all around
There are three types of traffic stops: routine; redirect, where the stop becomes a criminal investigation; and pretext, where police use a legitimate traffic violation for a closer look at the suspect. Call them the good, the bad and the really ugly, the Middlefield shooter the poster child for the latter.

“Every traffic stop is different—the person, the weather, the location,” says Vanik, a patrol division officer who specializes in DUI checks. “When I stop a car, I don’t know who’s in the car, their race, their nationality, even after I run the tag and make contact. Everybody has tinted windows and when it’s two in the morning and it’s a dark street, I can’t even tell if there’s a person in the car.”

An officer’s first step is to determine the number of occupants and whether they are moving in an effort to hide guns or conceal drugs. After that, police look for signs of trouble. “Bumper stickers are a giveaway. NRA stickers tell me there’s a gun in car. Stickers like ‘I hate government’ and ‘I hate police’ . . . tell me how they feel.

“Most of the time,” Vanik says, “people are polite to us.” Still, he and other officers park so they can shine headlights on the suspect’s car and use theirs as a shield. They will order suspects out of the vehicle and have them walk backwards. They will stand where a shooter would not expect to find them.

“Always, keep eyes on,” says Blanco, a gang officer and Spanish-speaking translator. “Those few seconds can make the difference between me going home or going to the morgue.”

Proceed with caution
Since 52% of all encounters with police occur during traffic stops, SPD offers this advice:

  • When you notice lights behind you, pull your vehicle to the curb and stay stopped.
  • Keep both hands on the steering wheel until the officer approaches.
  • Provide your license, registration and proof of insurance.
  • The officer will tell you the reason for the stop.
  • Back in the patrol car, the officer will check DMV records to determine if the vehicle is stolen or if the driver is on inmate release.
  • The officer will say whether you will receive a citation or a warning.

If the officer smells something coming from the car, he or she may have probable cause to search the vehicle. “The window is down,” Blanco says. “I get an odor. It’s not Febreze. If it’s marijuana, we have probable cause to search.”

Not so with alcohol. Vanik says police need at least two behavioral cues to conduct a field sobriety test, such as the smell of alcohol and slurred speech.

Regardless of whether the stop results in a warning or something more serious, the encounter is usually stressful for everyone.

“I never say ‘have a nice day,’” Blanco says. “I say, ‘take care.’”

Good advice . . . for all concerned.

Next: marine patrol and drug awareness.

Jeff Widmer is the author of The Spirit of Swiftwater and other works.

 

Street fighting men and women

The patrol car camera shows officers of the Cottonwood Police Department approaching a family in a Wal-Mart parking lot after midnight on March 21, 2015. The police are responding to an alleged assault of a Wal-Mart employee, a relatively routine call in Arizona, or anywhere. When they arrive, they find eight people milling around what looks like a heap of laundry bags behind a Chevrolet Suburban.

As another patrol car arrives, one of the officers says, “We need to separate these folks and talk to them.”

“No, you’re not going to get . . . you’re not going to separate me from my family,” a male family member says.

And then they attack, hitting officers, gouging their faces, wrestling for their weapons. Police try pepper spray, TASERs, a baton. Nothing works. The combatants pummel the police. They raise their hands in surrender only to resume the attack. By the time the fight ends, one officer is shot, one suspect is dead, another wounded and seven taken into custody. The fight lasts seven minutes.

Later, the Arizona Republic will report that the Gaver family performs as musicians on the streets of Boise, Idaho. For the past four days they have been living from their car in the Wal-Mart parking lot in Cottonwood, a town of 11,000 located about 60 miles southwest of Flagstaff.

Nothing is routine
“It’s an example of how things can go wrong fast,” Sarasota Police Officer Sean Gleason says as he shows the video to residents in the SPD Citizens Academy. “I show this video to the [members of the police] defensive tactics class because we need to know about fighting. I want [the officers] to say, ‘I’d survive this situation.’”

The situations are becoming more common. “These days, everybody knows this stuff. They see martial arts on TV all the time. You could be doing a routine traffic stop and the next thing you know you’re fighting for your life.”

Which is why the department’s lead defensive-tactics instructor teaches Brazilian jujitsu, a ground-fighting martial art that schools officers in grappling techniques and escapes.

Officer Gleason applies the vascular neck restraint hold on Officer Shellhammer --Sheila Jellison photo

Officer Gleason applies the vascular neck restraint hold on Det. Shellhammer
–Sheila Jellison photo

Fighting the fighters
The inside of the SPD defensive tactics room looks like my high school wrestling class, with thick blue pads on the walls and floor and a yellow bucket and mop in the corner. Gleason, a K-9 officer, and assistant SWAT team leader Det. Dwayne Shellhammer demonstrate the moves police are most likely to need. Such as when drunks pile out of a bar and start a fight and officers have to wade into the pack.

The drunks turn on the officers. They’re too close to use weapons. The assailants move too quickly to handcuff. Someone grabs an officer around the throat from behind and pulls. That action shows intent to hurt or kill the officer, and lethal force is justified, but Gleason and Shellhammer know a better way. Gleason breaks the hold and applies pressure to the sides of the neck, explaining the move as he demonstrates it.

Non-lethal hold
“We’re the only agency that does the vascular neck restraint. It’s a blood choke where you cut the blood flow to the brain. It’s not like this.” He puts his arm across Shellhammer’s throat. “That’s a choke hold and it can be lethal. The VNR will put them to sleep.” Shellhammer’s face glows red, a testament to the effectiveness of the hold.

“When you become a police officer,” Gleason says, “you have to completely change the way you think about things . . . everything you do, whether eating dinner or making a traffic stop. You ask yourself, ‘what am I going to do if somebody walks in with a gun or someone in that car shoots at me?’ Every call you go on, you have to think, ‘is this person going to attack me and am I ready?’ Mom, dad, a kid . . . anybody could kill you at any time.”

Next: On the firing range with the SPD.

Jeff Widmer is the author of The Spirit of Swiftwater and other works.

‘Not just a gun and a badge’

“Police officers are human,” Training Officer Jeffrey Dunn tells members of the Sarasota Police Department’s Citizens Academy. “Some of them do stupid things sometimes.”

And some of them do good and brave things. Genevieve Judge, the department’s public information officer, wants to get both of those messages to the media and the public. She knows that a fast, honest response to a negative situation can build trust. And that publicizing the positive things officers do can help build understanding and goodwill.

“There are good police officers and there are bad police officers,” Judge says. “It’s how you handle the situation that people will remember. We can ignore it or we can stay in front of it. Even if we’re not proud of it, I’d rather people hear about it from us so they get the whole story.”

Media savvy
To that end, Judge, a veteran television reporter and videographer, launched the department into the world of social sharing when she came on board in 2013, creating a dialog with residents on the major networks. With the backing of Chief Bernadette DiPino, she routinely posts on Facebook, Twitter (@SarasotaPD), YouTube,  and Instagram.

Judge covers all major public events, does ride-alongs with officers called Tweet from the Beat and shoots video for initiatives like Click It or Ticket and Shop with a Cop, a program for children that runs around the holidays. She also fields questions and requests for arrest reports from journalists who also try to balance coverage, often pitting citizens against the police and putting the department on the defense.

Like the academy itself, the social media feed gives residents a behind-the-scenes look at the department and its personnel. It helps them balance the news they see and hear from other sources. “I want people to see it on our social networks before they see it anywhere else,” Judge says. “That way we own it and it comes from a trusted source.”

The publicity serves another purpose. “It shows our officers are not just a gun and a badge. They are human.”

Street smart
No one know that better than Jeff Dunn, who started with the Bradenton Police Department in 1992 and has worked on the K-9, SWAT and field training teams. In addition to organizing the citizen’s academy, he trains recruits and experienced officers in diversity, firearms, non-lethal weapons and law-enforcement policies and procedures.

“It’s not the most dangerous job but it’s the most rewarding. In police work, anything that goes wrong comes back to training. We make sure everything is correct and accurate and up to date.”

Firing-range practice is essential but training must encompass real-world situations. That’s why Dunn uses scenario-based training, creating events that are realistic, such as putting officers in situations that require them to use defensive tactics. “Not many police officers are attacked by paper targets.”

I’m sure there are days when Genevieve Judge feels the same way.

Next: defensive tactics.

Jeff Widmer is the author of The Spirit of Swiftwater and other works.

Jeff Dunn tours the SWAT ready room with members of the SPD Citizens Academy

Jeff Dunn tours the SWAT ready room with members of the SPD Citizens Academy

Inside the yellow tape

The phone rings at 2 a.m. Dispatch reports two unresponsive adults in a car in a parking garage next to Kari’s Restaurant. Officers have secured the scene. Detectives from the Criminal Investigation Division, or CID, are on the way. As part of the Criminalistics Unit, so are we.

Our team walks into the parking garage to find a gold Prius surrounded encircled in yellow crime-scene tape, a bottle of Corona a few feet from the car, liquid spilling from the bottle. On the deck, a plastic sandwich bag and what looks like a candy wrapper.

In the front seats, a man and woman in their late twenties or early thirties, the driver holding a gun. He’s wearing a black short-sleeved athletic shirt, black pants, ring, no watch. He’s been shot once in the right temple. She’s wearing a white short-sleeved shirt with khaki pants, a ring and a watch. She’s been shot once in the left temple.

A shell casing rests on the dash, another on the back seat, a Super Vel .44 Mag. Two bottles of insect repellant in the seat pocket. Papers in the trunk.

Tunnel vision
As we crawl around the car, the head of the unit, Kari McVaugh, says, “Don’t get tunnel vision. Don’t get focused on the yellow tape.”

So begins the scenario created by the Sarasota Police Department for week seven of its Citizens Academy, the program that runs residents through the same training as police officers. The bodies in the car are real, officers within the department, but they’re acting, allowing us to collect and analyze evidence like our civilian counterparts in the real Criminalistics unit.

Kari the suspect in the interview room

Kari the suspect in the interview room

Back at headquarters, we review surveillance footage from the garage and video of two interviews with the department’s prime suspect, the owner of Kari’s bar, played with magnificent realism by McVaugh. As we watch, Sgt. Tom Shanafelt of the department’s Major Crimes Unit tell us what to observe, what to doubt and what would happen if we worked in CID.

We would run the tag and compare a license photo with the deceased–turns out he’s Kari’s ex-husband. Surveillance video shows Kari helping both victims to the car, wiping her hands on a towel as she walks away. We would ask experts to analyze body fluids, fluids on the towel, tool markings on the shell casings.

Truth or consequences
Months later during a second interview, two detectives have suspect Kari wedged in a corner of a bare room. The first thing they do is read her Miranda rights. Then they present DNA evidence that contradicts her initial statement. She’s confrontational at first, telling detectives her medical history is none of their business. She backs up, fidgets, stares at her hands. She’s confused. She doesn’t understand why the DNA evidence should matter.

Finally, she confesses, ending her monologue with, “I guess I just snapped.” Detectives charge and cuff her.

While the confession solves the case, the collection and analysis of evidence wins it, every careful step from autopsy to interview. Or as Shanafelt puts it, “The next-best thing to a confession is a provable lie.”

Next: dealing with the public.

Jeff Widmer is the author of The Spirit of Swiftwater and other works.

 

Citizens Academy participants investigate a mock shooting in a parking garage

Citizens Academy participants investigate a mock shooting in a parking garage

Damned if you do, dead if you don’t

Tonight’s the night we’re either going to shoot someone or die. And that makes some of us nervous.

The subject in the Sarasota Police Department’s Citizen Academy is one of the most timely and controversial in all of law enforcement—the use of force by officers. To give us an idea of the challenges they face, SPD will run us through the Use of Force Simulator, the same one used by rookie officers to test their decision-making under fire.

The simulator will show whether we can make sound, split-second decisions without violating the law or allowing a suspect to escape. Or getting killed.

Before we start, Officer Jeff Dunn, who organizes the class, reviews law and policy regarding the use of force and ends with a caution: “When you feel adrenal stress, you don’t make the same decisions you would make in a calm, safe setting. It’s like everything closes around you.”

Dunn should know. He’s a member of the SWAT team and a former K-9 unit officer who has faced these situations in the field. If an experienced officer reacts that way, how will that stress affect us?

We find out quickly. The class enters the simulator four at a time. My group consists of Barna, Tracy, Bill and me. Barna worked security in Europe so he’s used to some of this. The rest of us look like the civilians we are.

Officer Kim Stroud operates the Use of Force Simulator

Officer Kim Stroud operates the Use of Force Simulator

The theater-like simulator consists of a computer, projector and life-size screen that plays an interactive video. Officer Kim Stroud conducts the drill, showing us how to hold our weapons, enter a building and communicate with our partner. The Glock and the TASER™ are real, the bullets and prongs replaced with lasers that not only target suspects but display the accuracy of our fire.

In the first scenario, Bill and I respond to an active-shooter situation in an office building. Dispatch has no other information. Armed with guns, Bill and I simulate walking down hallways past bodies of workers and officers. We turn a corner and hear shots and a man in a white shirt walks into a room and starts firing.

Bill yells “Sarasota Police!” and as the suspect backs out of the office we fire. Just as the man goes down, another pops up from behind a desk and, before we can get off a round, shoots at us. We fire back and, as he clears the desk, finally bring him down. Stroud replays parts of the exchange. The computer shows crosshatch marks where our bullets hit. The desk is a goner but we didn’t hit the shooter until he’d squeezed off several rounds. I don’t know how many, it happens so fast.

In the second scenario, Bill holds the Glock and I hold a TASER. We’re called to a disturbance and find a woman fighting with an officer on the street. As she grows more violent, the officer moves off and the suspect screams and waves something in her right hand. The use of potentially lethal force is not needed so I yell “TASER! TASER! TASER!” and pull the trigger. The devices crackles and the woman hits the concrete.

Stroud looks as if I’ve waited too long. She’s probably right.

In their first scenario, Tracy and Barna respond to a reported break-in at an office building after hours. No other information is available, so they go in blind.

Tracy holds the TASER, Barna the Glock. As they move through the building, they see a man sitting at a desk. He looks calm and talks to them. Suddenly he stands and raises what looks like a weapon. The pair fire, Barna hitting the suspect in the foot and knee. Tracy brings him down, landing the TASER prongs over the guy’s heart. The assailant’s weapon turns out to be a stapler.

In the second scenario, Tracy and Barna respond to a domestic dispute. They wend their way through a warren of halls to confront a person yelling at a man who’s seated in front of a fireplace. He’s holding a shotgun between his legs. Before either officer can react, the assailant raises the gun and fires. As the screen goes blank, Barna fires his weapon.

Stroud pushes back from the computer and says what officers must hope they’ll never hear. “Too late.”

Next: citizen volunteers and criminalistics.

Jeff Widmer is the author of The Spirit of Swiftwater and other works.

Tracy and Barna approach a suspect in the Use of Force Simulator

Tracy and Barna approach a suspect in the Use of Force Simulator

‘There is no such thing as a victimless crime’

Demetri Konstantopoulos stands before the screen and narrates a list of Florida police officers killed in the line of duty in the last few years. One slide shows a pair of faces, one fresh, one veteran. One officer leaves behind a pregnant wife, another a wife and three children. The slides continue for a long time.

On this, the second night of the Sarasota Police Citizen’s Academy, Konstantopoulos has a tough lesson to present. He shows a video of a driver opening fire on Ohio police with an automatic weapon after a routine stop for a moving violation. He plays audio of an incident on Martin Luther King Boulevard when crowds and gunfire threaten Sarasota officers trying to rescue a man with arterial bleeding.

Konstantopoulos, a sergeant in the Bureau of Criminal Investigation assigned to the Street Crimes Unit, wants us to remember several things. Police work is dangerous. No call is routine. All crime has consequence. “There is no such thing as a victimless crime.”

That theme carries through the presentation by Jude Castro, the victim advocate coordinator for the department, who tends to the needs of people suffering the aftermath of crime.

“The victim advocate speaks up for people who can’t,” Castro says before outlining the major services she provides, including crisis intervention, death notification and bereavement support. She also helps victims file restraining orders and accompanies them to medical, legal and judicial proceedings.

If you think her job is any less stressful than that of sworn officers, consider that one of her most recent duties was to notify the family of a man who jumped from the Ringling Bridge.

Back to Konstantopoulos. After explaining when officers need a warrant to search a house, vehicle or person, the sergeant introduces the concept of consensual contact. It’s when a person agrees to a search and there is no evidence of coercion—a fine line to walk in even the best of circumstances.

To demonstrate, Officer Dominic Harris and Dick Smothers, a Sarasota resident and one half of the Smothers Brothers comedy team, create a scenario where Harris plays a drug dealer hanging on the street and Smothers an officer who does not have probable cause to search Harris but wants him to consent to a pat-down.

After about five seconds of street patois Harris says, “Man, you hassling me ’cause I’m black?” Things go sideways, fast. Officer Jeff Dunn, who organized this year’s academy, steps in to show how police would handle the request. He obtains consent . . . and finds a handgun.

Police work is dangerous. No encounter is routine. Crime makes victims of everyone.

It’s a tough lesson.

Next week: emergency response, explosive materials and crisis negotiations.

Jeff Widmer is the author of The Spirit of Swiftwater and other works.

Officer Dominic Harris, left, and Dick Smothers role play a street encounter

Officer Dominic Harris, left, and Dick Smothers role play a street encounter

Beyond the badge: citizens get inside look at department through Sarasota police academy

One of the first things Bernadette DiPino did when taking over as chief of the Sarasota Police Department was to ban her 161 officers from eating doughnuts while in uniform.

Members of the Sarasota Police Citizen’s Academy chuckled at her story but the chief has a serious purpose: she wants to counter stereotypes about officers as part of a larger campaign of community policing.

And that’s one of the reasons why 23 of us were admitted to the fourth offering of the academy, a boot camp for civilians who want to learn what it’s like to work as a police officer. The 12-week program will cover everything from search and seizure to criminalistics to firearms.

After introducing her command staff—Acting Deputy Chief Pat Robinson and Patrol Operations Chief Kevin Stiff—and Training Officer Jeffrey Dunn, DiPino opened the academy with a recital of her background. As the granddaughter and daughter of police officers, she’s a blueblood and proud of it, starting her career in Baltimore County, working as a narcotics detective and serving as chief in Ocean City, MD before assuming the position of chief in Sarasota at the end of 2012.

She talked about the challenges of a job in a seasonal resort town as well as her mandate to officers to stay visible, strictly enforce the law and appear professional at all times. Which is what led to the ban on doughnuts. But she spent most of the time discussing her philosophy of community policing. Because police need cooperative citizens to prevent and solve crime, they need to build trust and relationships with the residents on their beat. Officers need to get out of their cars and go door-to-door if necessary to introduce themselves and provide help.

As an example of that outreach, DiPino offered a barbecue police held for residents of Newtown. She said the strategy has led to numerous arrests and, more importantly, safer neighborhoods.

It didn’t take long for Dunn as the academy’s chief organizer to transition from strategic to tactical. He introduced bicycle patrol Officer Jerry Pucci, who illustrated DiPino’s goal of standardizing police uniforms for greater visibility. He reviewed dress and patrol uniforms for summer and winter and ticked off the 20 pounds of equipment officers carry on their duty belts: gun (.40 caliber Glock 22), two magazines, handcuff case, Taser, radio and flashlight.

Pucci drew the biggest laugh of the night when he pointed to a short black cylinder on the back of his belt and announced, “This is my ASP.” For the record, ASP is a brand of telescoping baton police can use in close combat.

Despite the laughter, Pucci didn’t miss a beat, saying police didn’t have much cause to use the defensive weapon. “If something goes sideways, I’d rather use the Taser.”

Keep that in mind if you’re tempted to eat a doughnut.

Next week: how crime endangers both victims and police.

Jeff Widmer is the author of The Spirit of Swiftwater and other works.

Sarasota Police Chief Bernadette DiPino

Sarasota Police Chief Bernadette DiPino