Sequel exposes dark side of tourism in Florida

If tourism is the lifeblood of Florida, the killers in Tourist in Paradise are intent on draining the state dry. Whether they succeed depends on a female sleuth who moved to the Sunshine State to escape this kind of violence.

What CW McCoy finds is a tsunami of corruption and deceit as she battles punks and politicians in the second in the McCoy series of mystery/suspense novels.

TIP covers top bookThe stakes are high for residents of the fictional city of Spanish Point, a tony resort town located between Tampa and Naples on Florida’s Gulf Coast. When a gunman mistakes CW for a wealthy tourist, the real estate agent is thrust into a series of crimes that pit visitor against visitor. Is the violence the start of a full-blown war on tourists? Or are the attacks a smokescreen for an even greater threat?

And if CW unmasks the killers, will it spell the end of her career, her friends and her life?

Published by Allusion Books, Tourist in Paradise is the sequel to Peak Season, a book Kirkus Reviews calls “an entertaining mystery romp.” The crime novel is available through Amazon, iBooks and Barnes & Noble in both e-book and trade paperback formats. Readers can view the book trailer at jeffwidmer.com or YouTube.

Fans of Janet Evanovich, Robert B. Parker, Ruth Rendell and Chelsea Cain should enjoy the book.

I hope you’re one of them.

Lend us your friends’ ears

Audible has a new service called Clips. It works like bookmarks do in e-books and web browsers, with a feature for the sharing economy.

Here’s how.

Audible clipsFirst, you have to have the latest app for an iOS device. Then, when you hear a passage you’d like to share with others, tap the Clip icon, move the start and end points and save it the snippet, or share via email or social media.

Saving the clip allows you to return to that spot for a repeat performance. Benefit to you. Sharing the clip amplifies Audible’s marketing and might eventually put a few more pennies in the pockets of its authors and narrators. Game, set and match to Audible.

But before grow too critical, I’d like listeners to try the service on one of my audiobooks, Peak Season or Mr. Mayhem, depending on whether you like a strong female lead or a crazy disgraced journalist nattering in your ear for seven hours.

Speaking of nattering . . . let me know what you think.

Me and Harry P.

You don’t have to be a wizard to know that audiobooks are hot.

In 2014, sales topped $1.47 billion, up 13.5 percent from 2013, the latest figures from the Audiobook Publishers Association show. That number can only increase for 2016, considering that the world is still wild about Harry.

Harry Potter book 3The big news in audiobooks this past year was the addition of J.K. Rowling’s Harry Potter series at Audible. The slightly less earthshaking news was that I released my first novel, Peak Season, on audio about the same time.

Our sales numbers might vary. Same for distribution. So, for all the C.W. McCoy fans out there, I present Audible’s retail sample of said book.

Have fun, and don’t forget the wand.

Dr. Watson explores the dark side of ‘Mr. Mayhem’

Alan Wade is a busy man. When he’s not teaching theater at The George Washington University, he’s acting in plays (King Lear), movies (The Pelican Brief) and TV (House of Cards Season 4).

He’s also narrating audiobooks, including Mr. Mayhem, the first in my series of crime novels starring a defrocked journalist turned PR whiz named Brinker. And one by another chap, fellow named Watson. Ring a bell?

Alan took some time recently to talk about the influence of stage and screen on audiobook narration.

Alan Wade as the drunken clerk in Shaw’s “Augustus Does His Bit” for the Washington Stage Guild (Colin Hovde Photography)

Alan Wade as the drunken clerk in Shaw’s “Augustus Does His Bit” for the Washington Stage Guild (Colin Hovde Photography)

What’s the most challenging part of audio narration?
Being in a confined space for a few hours. Thankfully, I’m not claustrophobic!

Who are some of your favorite authors and why?
Well, here’s a clichéd response: Shakespeare tops my list. His work simply does not exhaust an exploration of human character and motivation, and it’s the locus for a discussion of an extensive range of ethical, political, and social issues. Samuel Beckett comes in second for me. Clearly, not a popular dramatist, but, like Shakespeare, though with a much narrower social purview, Beckett is sensitive to the richness of human character and motivation. It would perhaps not be a surprise that the first one-person theater show I did was based on Beckett’s prose work (I, from the Prose of Samuel Beckett at Chicago’s Victory Gardens Theater), and that the second was comprised of scenes from Shakespeare’s plays (Shakespeare in Soliloquy).

How do you prepare to perform an audio piece?
I do articulation exercises and drink water. I don’t read the book in its entirety as that would not be “cost-effective.” I skim a chapter before I do it to see what characters are involved.

When you’re narrating a work with multiple characters, how do you differentiate among them?
Let’s take Brinker as an example. There were two traits that led me to his voice, which I will characterize as harsh or “gravelly.” The first is his attitude: he’s a wise-ass. The second is his substance abuse, pretty much of all kinds. This suggested to me that he wouldn’t have a healthy voice (contrast his with my rendition of the Colonel’s voice).

So, a character’s attitude, whether it’s a male or female character, dialect or accent requirements (assuming I can do them credibly), and certain vocal stereotyping of character (a “whiner” might be nasal in vocal resonance).

What new and exciting projects do you have coming up?
Coming up for Audible is a new Sherlock Holmes collection for which I’m delighted to “be in England” as Dr. Watson.

Listen to the second chapter of Mr. Mayhem as Alan Wade brings Brinker and the cast to life:

Veteran actor brings ‘Mr. Mayhem’ to life

Alan Wade is a character. It’s a description he likes, one that has brought him work in theater (King Lear), movies (The Pelican Brief) and television (House of Cards Season 4). And one of the reasons he was drawn to the narration of Mr. Mayhem, the first in my series of crime novels starring a defrocked journalist turned PR whiz named Brinker.

Alan is a veteran of film, television and stage. Actor, writer and director, he has appeared in regional theater and off-Broadway, as well as television (Homicide) and film (The Pelican Brief, Major League II).

For almost four decades he has served as a professor of speech communications and theater at The George Washington University and directed 30 plays there. His professional work has won praise from After Dark magazine and The Washington Post.

For his latest project, Alan drew on his extensive stage experience to bring the dark story of Mr. Mayhem to life as an audiobook, as he explains in this two-part interview, conducted shortly after he finished the narration.

Alan Wade as Sgt. Rough in “Angel Street” for the Olney Theatre Center with Julie Ann Elliott (Stan Barough Photography)

Alan Wade as Sgt. Rough in “Angel Street” for the Olney Theatre Center with Julie Ann Elliott (Stan Barough Photography)

Tell us a bit about the path you took to a career in acting and narration.
I was a freshman in high school when the “bug bit.” I took some after-school courses, went on to Northwestern University’s theater program, to Catholic University’s drama program (M.A.), and back to Northwestern for a Ph.D. in what is now Performance Studies. Intertwined with this academic work was a stint as a resident actor at Center Stage in Baltimore.

You’ve appeared in everything from King Lear to The Pelican Brief. How has stage and television influenced your voice work?
Well, I’m what is thought of, certainly now, as a character actor, which can often involve roles differentiated in part by changes in vocal characterization: dialects, accents, vocal qualities, and other speech mannerisms. My first Equity role was as Billy Bibbitt in One Flew Over the Cuckoo’s Nest at Center Stage. Billy suffers from a pronounced stammer.

How does audiobook narration differ from your other projects?
You’re by yourself and, for someone like me who enjoys the culture of theater and its sociability, this aloneness is a pronounced difference. I’ve done two one-person shows during my stage career, so I’ve had a performance experience that approximates being in a booth alone, but there was always the audience to provide companionship.

What do you like best about voice acting?
In the case of audiobooks, it’s somewhat self-directed (though you do interact with the author and sometimes a producer), so there is a larger creative component to voice acting of this kind.

Next: the challenge of multiple characters.

Listen to Alan Wade bring Brinker to life in the first chapter of Mr. Mayhem:

‘House of Cards’ actor narrates thriller ‘Mr. Mayhem’

Murder is murder, whether it’s in a play by Shakespeare or a popular television show. Which is one of the reasons House of Cards actor Alan Wade agreed to narrate Mr. Mayhem, the first in a series of crime novels I’ve written to feature the defrocked journalist turned PR whiz known as Brinker.

Alan Wade at mike“There were two traits that led me to his voice, which I will characterize as harsh or gravelly,” Wade said. “The first is his attitude: he’s a wise-ass. The second is his substance abuse, pretty much of all kinds.”

Mr. Mayhem has garnered widespread praise from the critics. Kirkus Reviews calls the work “eccentricity at its finest in a detective story, and proof that a flawed protagonist can still earn sympathy.” And My House Our House author Louise Machinist says the novel “socks you in the gut like a shot and a beer. The mayhem never stops in this plot-driven thriller in creepy small-town PA, where there’s not a hero to be found.”

Set in the snowy mountains of Northeast Pennsylvania where I was raised, Mr. Mayhem is published by Allusion Books and available through Audible, Amazon, iTunes, Barnes & Noble, Kobo and my website.

Listen to the audio sample as Alan brings Brinker and his crew to life.

Why we write

The chief benefit of publishing an e-book through Smashwords is the distribution channel–Barnes & Noble, Apple’s iBooks and indie e-book retailer Kobo. There’s one other feature writers might consider, an interview with the author. Here’s mine:

What motivated you to become an indie author?

After sending queries to 76 agents, I received a number of kind comments but no offers of representation. Then an indie author alerted me to Joanna Penn and The Creative Penn podcasts about the publishing industry. I found her rationale for going independent so compelling I decided to learn as much as I could. The materials on Smashwords were also a great help. In an increasingly DIY world, indie publishing makes a lot sense.

What is the greatest joy of writing for you?

The greatest joy of writing is the process, the act of writing. Something I think publishing is just an excuse to keep writing.

What do your fans mean to you?

Fans mean contact with people who share common interests and feelings. The feel of a book is so important, and so elusive, especially during the drafting phase, when the author is isolated from others. To hear that I’ve entertained or touched someone else . . . that’s the real joy of writing.

Peak Season 3D cover 375x548What are you working on now?

I’m writing the sequel to Peak Season, the second book in the CW McCoy series. It’s called Tourist in Paradise and starts with the premise that someone is trying to kill the tourism industry in Southwest Florida. I’m also working on the audiobook version of Mr. Mayhem, the first in the Brinker series of crime novels. It’s high-concept, the kind of treatment you’d expect to see on HBO or Amazon Prime.

Who are your favorite authors?

An eclectic group of crime novelists ranging from Raymond Chandler, Ken Bruen and Chelsea Cain (“One Kick) to Robert B. Parker, Sara Paretsky, Ruth Rendell and Tony Hillerman. I like the Anns–Anne Lamott, Annie Proulx, Anne Tyler and Anna Quindlen. I also like the romantics, Jennifer Crusie and Janet Evanovich, and British writers P.G. Wodehouse (Jeeves and Wooster) and John Mortimer (Rumpole of the Bailey).

What inspires you to get out of bed each day?

Another chance to create, to build new worlds and live inside them.

When you’re not writing, how do you spend your time?

Hiking, taking photos, reading, listening to classical music and NPR.

How do you discover the e-books you read?

I follow recommendations from fellow members of my writers’ groups.

Do you remember the first story you ever wrote?

No, but I remember a wonderful professor who rekindled my interest in fiction to such a degree that I wrote a book-length collection of short stories. Now that’s inspiration.

What is your writing process?

I try to write first thing in the morning and save marketing and social media for later in the day.

Do you remember the first story you ever read, and the impact it had on you?

I remember my parents reading to me, and since then, I’ve grown fond of spoken-word audio.

Riding 3D coversHow do you approach cover design?

After design the cover of my first nonfiction book, The Spirit of Swiftwater, I wisely took the advice of a seasoned indie author and hired a professional to design the covers of Peak Season, Mr. Mayhem and Riding with the Blues. The designers have captured the tone of the work better than I ever could.

What are your five favorite books, and why?

Listening Woman by Tony Hillerman, Rumpole of the Bailey by John Mortimer, All the Light We Cannot See by Anthony Doerr, Good Night, Mr. Wodehouse by Faith Sullivan and Road Rage by Ruth Rendell. Let’s add a sixth: California Fire and Life by Don Winslow. All offer sensitive characters thrust into compelling situations.

What do you read for pleasure?

Standalone books like The Girl on the Train and series novels by Parker, Hillerman, Rendell, Grimes and the inimitable P.G. Wodehouse. (Who can top Jeeves and Wooster?)

What is your e-reading device of choice?

I have an iPad mini and a Kindle and I’m looking forward to buying an Android tablet in the near future.

What book marketing techniques have been most effective for you?

Social media and word of mouth, although I will send review copies to journalists and bloggers.

Describe your desk

My dining room table.

Where did you grow up, and how did this influence your writing?

I grew up in the Pocono Mountains of Pennsylvania, a once-rural area that attracted tourists to the clean mountain air. Perched on the border with New Jersey, it is now a bedroom community for New York. The area inspired a love of nature and a desire to experience the art and culture found in the city.

Mr Mayhem 3d_coverWhat’s the story behind your latest book?

After moving to Florida, I decided to revisit a lifelong interest in fiction. During a writing class, the instructor suggested we turn a short story into a news report and a news story into a piece of short fiction. As a working journalist, the first part felt easy. (I chose one of my favorites, a John Updike short story.) For the second part, I found an article about a fugitive financier that fascinated me and turned it into a short story. I liked the product and the process so much, I worked the character into the novel Peak Season and created someone worthy of challenging him, CW McCoy, a woman who had renounced violence . . . under the fugitive kidnaps her family.

For the second novel, Mr. Mayhem, I channeled some of the anger at literary rejection and cynicism about public relations and marketing in general.

When did you first start writing?

In elementary school.

What’s next for you?

The debut of Mr. Mayhem and the character of Brinker, a disgraced journalist doing PR for a funeral home and its trolley tour of murder sites in rural Pennsylvania. He hates the job, the place and himself. The tour business is dying. There aren’t enough murders to draw a crowd. An assassin would help. The audio version should be a killer.

A walk on the dark side with ‘Mr. Mayhem’

Sued by his publisher for libel, Brinker is reduced to promoting trolley tours of crime scenes. The tour business is dying. There aren’t enough murders to draw a crowd.

A good serial killer would help.

When his doctor asks for aid in euthanizing terminal patients, Brinker hires an assassin named Angel, who reigns chaos and fame on the sleepy resort town.

But as Angel’s demands soar with the body count, Brinker wonders whether he’ll become the latest addition to his own list.

For better or worse, Mr. Mayhem, the first in the Brinker series of crime thrillers, comes alive in this video.

[iframe id=”https://www.youtube.com/embed/uovYcBIkjME”%5D

In a small Pa. town, an unwelcome guest

In this economy, even an assassin needs an agent.

Sued by his publisher for libel, Brinker is reduced to promoting trolley tours of crime scenes. The tour business is dying. There aren’t enough murders to draw a crowd.

A good serial killer would help.

That’s the premise of my new thriller, Mr. Mayhem, a book my fellow writers have alternately called clever and demented. Here’s the first chapter. I’ll let you decide.

1.

Brinker stood beside the body with its red flannel shirt and black ski pants and two-tone duck boots and smiled. “Couldn’t have happened to a nicer guy.”

From the end of the road, police lights flashed as two cops directed traffic. At this hour, there was next to none.

“I’d be careful,” the Colonel said. “People might think you had a hand in this.”

“You should talk,” Brinker said. “Word is, our pal Red diddles with the bodies.”

The eyes of Col. Frank Mabry, U.S. Air Force retired, darkened to the color of his three-piece suit. “No wonder you got fired for libel.” He motioned for the redheaded intern in black to help hoist the body onto the gurney. Red was nineteen going on twelve. He had more acne than a porn star’s ass.

Mr Mayhem 3d_coverThey shoved the gurney into the back of the hearse and slammed the door with the little white curtain and Red drove the hearse into the night, its tailfins glowing like hot coals from hell, which was where the publisher of the Free Press was headed . . . after a brief layover at Mabry & Sons Funeral Home.

Brinker’s feet stuck to the ground. If he stayed here much longer he’d be next in the meat wagon. He looked around the yard. The porch lamp lit an axe, a pile of split wood, a felt Stetson and a dent in the snow bank where the publisher had fallen headfirst.

Brinker asked, “What killed him?”

“Heart attack, most likely.”

“How do you know?”

“What do you mean, how do I know? I’m the coroner. If I say he died of mustard gas poisoning, that’s what killed him.”

The Colonel usually showed more patience. Maybe he needed a drink. Brinker did, and his meds. He lit an unfiltered Camel and let the warm smoke trickle through his nose.

“Those things will kill you.” The Colonel had the spine of a floorboard. He’d retired from some base in the South and returned to Pennsylvania to manage the family business and had gotten trapped here like everybody else. Coroner and undertaker. Add animal-control officer and you’d have a trifecta.

“You should know,” Brinker said and coughed up half a lung. He’d have to see Dr. Jolley tomorrow. The doc had reduced his prescription of Vicodin and Percocet for lower back pain but he’d pony up a month’s worth of Xanax or Ativan, since the meds he prescribed didn’t seem to work anymore. It didn’t matter that benzos were addictive. The doc didn’t like to see people suffer. Neither did Brinker.

The Colonel stared into the dark, as if it would part like a curtain to reveal the secret of the afterlife. The dark stared back. “I don’t need to tell you, business is bad.”

“Then don’t,” Brinker said.

“Traffic’s down at the museum and most of the seats on the ghost tour are empty.”

“Murder tour,” Brinker corrected. The cigarette bobbed in his mouth. “Tell me something I don’t know.”

“Did you talk to your mother that way?”

Brinker smiled. “Why do you think she kicked me out?”

MM1 cover 1The Colonel pointed to the dent in the snowbank. In this cold, it wouldn’t lose its shape until July. “What can we do with this?”

Brinker looked at the yard. The snow sparkled like broken glass. The axe hadn’t moved. Neither had the hat. “You said he died of natural causes. No one’s flying up from Florida in the dead of winter to watch this guy make snow angels.”

In the brittle light, Mabry’s nose looked like it could hook rugs.

“Unless,” Brinker said, “you tell the cops you have doubts.”

“That would be official misconduct.”

“It’s a living,” Brinker said.

“You’re supposed to be the PR guy. What are you going to do about this?”

Going to, not gonna. As an elected official, the Colonel took care with his speech. Brinker picked a piece of tobacco from his tongue. “I’ll think of something.”

“You had better think fast. Get on the radio. Send out a release.”

“The paper won’t print our shit anymore.”

“Why is that?” Mabry asked in his I’m-struggling-for-patience voice.

“Too self-promotional.”

“For God’s sake.” Mabry abandoning the pretense. “Then get us on social media—or didn’t they teach you that before they canned your ass?”

Brinker tried to blow a smoke ring but the wind took it. “The murder tour’s getting old.”

“Of course it’s old. The crimes are old. History’s old. That’s pretty much the definition.”

Brinker stamped his feet to drive out the cold. The cold didn’t budge. “The tourists are looking for sensation, the big hit. They want blood, guts, scandal, like they get from TV, or Congress.”

“They want their heads examined,” the Colonel said. “We offer them something they can’t get anywhere else.”

“Time travel?”

“Yes,” the Colonel said, “it is like time travel. They can relive history. They can stand in the exact spot where the murder took place and use their imaginations for a change.”

“Soak up the vibes.” Brinker dropped the butt and listened to it hiss. “So what do we do?”

“Drum up business, fill the trolley. That’s why I hired you.”

“We’re fresh out of stiffs.” Brinker nodded toward the road. “Not counting this one.”

The Colonel turned on a polished boot and waded through a foot of new snow. He popped open the door to a black Escalade the size of a dinosaur and said, “I don’t care how you do it . . . just make it happen.”

Brinker watched the car fade to black. He hated winter almost as much as he hated the job.

What if serial killers had agents?

A doctor wants to euthanize his terminal patients. A disgraced journalist wants a better job than flogging tours of crime scenes. The tour business is dying. There aren’t enough murders in this sleepy town to draw a crowd.

A good serial killer would help.

Mr MayhemSo begins Mr. Mayhem, the new crime thriller that fittingly goes on sale on Black Friday.

For a man known only as Brinker, the trouble starts when he’s fired for reporting his publisher’s DUI. Reduced to doing PR for a funeral home and its trolley tour of murder sites, Brinker despairs of ever restoring his pride, or his bank account. Compared to journalism, PR is degradation, an excuse to lie for a living. His addiction to prescription medication only fuels that rage.

When his doctor asks for a hand in dispatching hopeless patients, Brinker hires a wildly successful assassin named Angel, who brings chaos and fame to this backwoods town. But as Angel’s demands soar with the body count, Brinker wonders whether he’ll become the latest addition to his own list.

With Mr. Mayhem, I’ve tried to turn the suspense genre on its head. Fans of Elmore Leonard and Gillian Flynn will enjoy the double- and triple-crosses that give the book its dark edge. And readers who like a little sugar with their spice may come to think of Brinker as the king of the comic sex scene.

Mr. Mayhem is set in the snowy mountains of Pennsylvania, from whence I come. Published by Allusion Books, the novel is available in print and ebook formats through Amazon, iTunes, Barnes & Noble, Kobo,  my website and bookstores that place orders through Ingram. The audiobook version is due by the end of December.

What a way to end the year.